Showing posts with label Magnificent Bastards. Show all posts
Showing posts with label Magnificent Bastards. Show all posts

Friday, June 6, 2008

The End of an Era.

With Metal Gear Solid 4 looming on the horizon, one of the funniest webcomics out there has closed it's story arc. The Last Days of Foxhound is a Metal Gear Solid inspired webcomic, drawn by Chris Doucette, which focuses on the Foxhound unit of the first Metal Gear Solid game. The art is a little pedestrian, but the humor is top notch. Doucette has a sharp sense for sarcasm, and manages to draw together the most convoluted plotline this side of Chrono Cross in a very hilarious manner.


TLDoF ran for 500 comics, and managed to incorporate each of the bizarre super squads from the MGS series. Foxhound, Dead Cell, and the Cobras all make an appearance, as does the most Magnificent Bastard, Big Boss. Solid Snake is never seen directly, but his presence is felt throughout the story arc.

The premise of the story is the background of the Foxhound unit, a super powered black ops team which works in secret for the government. The storyline covers from when Liquid Snake joins Foxhound, up until the events of MGS1.

While Spider Man would say "With great power comes great responsibility", in this case it's more like "With great power comes great insanity." Each member of Foxhound, while supremely talented, also has a psychotic personality flaw. Liquid Snake is an super soldier, but he suffers from an inferiority complex that would take up several floors of a building to catalog. Vulcan Raven is a shamanistic Inuit giant, who is smug beyond belief. Sniper Wolf is the world's greatest sniper, but she actually develops a crush on each target she's assigned. Decoy Octopus is a world class spy and master of disguise, he's also a trickster worthy of Loki, and a complete coward. Psycho Mantis is the world's strongest telepath, but he's also omnicidal. Revolver Ocelot is a master of subterfuge, and world class marksman, but he's also a pathological liar, and suffers from Chronic Backstabbing Disorder.



The interactions of these outlandish personalities tie into the extensive metaplot of Hideo Kojima's grand design, and provide nonstop hilarity. Please, check it out.

Sunday, May 25, 2008

The American James Bond

I've been watching a lot of Heroes lately. I've come to several conclusions about the show. One, Hayden Pannettiere can still manage to look hot, even with a few ribs sticking out. Two, the writers are smart, seeing as they haven't fallen into a similar beating of basic Mendelian genetics like Metal Gear Solid has. And three, there is only one member of the cast who isn't a phenomenal idiot.

That character is Noah Bennett, who is certainly the most complex character in the series. Mr. Bennett is, as the title would suggest, James Bond wrapped up in the pathos of 1950s America. He is a company man, in more than one way. Dedicated to his job, and ruthless in his prosecution of it. However, above all things, he is a family man. As dangerous as he is on the job, he's exponentially more so when called to defend his family. When the two interests collide, things get very interesting.

His appearance was drawn up very well. The Browline glasses he wears immediately call to mind a 1950s Cold Warrior who routinely deals with issues larger than himself, larger than his nation.

While he's eerily similar to his British counterpart in his ruthless efficiency, He differs in key aesthetic categories. His mannerisms are wholesome, but when called to, he works and talks with barely contained violence, far removed from the smooth witticisms and calm under fire of 007. While James Bond sleeps with almost anything with a pair of breasts, Mr. Bennett conforms faithfully to the American ideal of a monogamous relationship with his loving wife. Mr. Bennett is a magnificent bastard who's always at least three steps ahead of anyone else, which allows him to be arguably the most dangerous man in a world filled with people with inhuman powers.

In a way, Mr. Bennett is symbolic of America, very similar to Alden Pyle in Graham Greene's 1955 novel, The Quiet American. Idealistic in a way, ruthless, fiercely protective of his own, and willing to destroy anyone who threatens them. Unlike Pyle, Mr. Bennett is a more balanced representation, rather than blindly bringing down everyone around him, Mr. Bennett, who is arguably just as destructive, is much more controlled in what he does.

This guy alone, makes Heroes worth watching, even the strike induced miscarriage that was the second season.